How To Apply Forced View Photos
The forced approach is a photographic optical contrast, which is usually used to create two or more objects. Appears closer or more different, or different sizes than reality.
Forced perspective in photography can be made possible by a camera lens. Unlike your eyes, which work to generate in-depth thoughts, the camera is just one eye. That way, the camera has no depth and sees things as flat and two-dimensional.
Images that look like one subject to another, and that represent things or people related to gravity, are technically part of this style of photography. Although they are more in agreement on orientation and perspective than on real visual compression. The single eye of the lens.
In fact, the error “carried by balloons” also falls into the technically compelling view, because the angle of view under the feet of the article is compacted by the camera to create a higher altitude error.
Types Of Forced Perspectives:
The forced approach usually falls into a few main categories:
- Creating a theme is great
- Reduce a topic
- Additional Articles
- Gravity defense
Shared Coercive Perspective Photo:
While the opportunities for forced perspective are almost certain, there are some “standard” images, which have become familiar and have been copied because of these specific types of images.
You may have seen some of them on the internet or on a friend’s Facebook or Twitter page:
- Handling or targeting
- Holding or eating the sun or moon
- Catch another person in each other
- A toy that is more than a person or a pet
- Hanging from the top of the picture
- One person steps on another person
- Found an old photo or an empty view
How To Take A Forced Perspective Photo:
The process for forcibly taking a picture of the perspective you want to create. Depending on the type of approach. Thus, I have broken the following instructions by image type.
Forced View Image Resizing:
Field, distance, and depth of the line of sight are the three main elements in the image of forced resizing. This is the same technology in movies for decades before it came to computer graphics. Darby Ogle and the Little People using the forced approach is a great example of a movie.
Size and Distance of Camera Lenses:
When creating this type of image, the subject you want to present should be more of a camera than the subject you want to present in order to grow. The size difference depends on the distance you want to achieve. You need 6 or 8 feet to lower a pet. You may need a mile or more to shrink a mountain. The large difference between the actual size and the desired appearance requires more space. Most of them will be made with wide-angle lenses (35 mm or less) and a large F-Stop configuration. The need for a temporary F-Stop depends on the distance between the two subjects.
Once you’ve focused on your image, you have to align it straight. If the subjects do not touch the image, the alignment of the shot is not very important, such as when the subjects touch the subjects. If you are setting up an image where the subjects touch the subjects, as if standing in the other person’s hand, you may need to ignore the fact that you need to be comfortable. So that you look. Wrong sects do not have a balance of sects’ subjects and subjects.
Other Good Choices For Location:
- Pierce also works well where the reflection is a background mirror.
- Long halls allow hanging articles with doors or columns to allow hanging or climbing off the ceiling/floor if the image changes.
- When you change the orientation of the image to create gravity, remember that a straight horizontal is very important so that you do not lose the edge.
- Also, pay attention to the subject’s clothing and hair positioning. Different necklaces and dresses will quickly eliminate the edge compared to the obvious reality of the picture.